翻訳と辞書
Words near each other
・ Mariana Levy
・ Mariana Lima
・ Mariana Limbău
・ Mariana Lopez
・ Mariana Loya
・ Mariana mallard
・ Mariana Mantovana
・ Mariana Marin
・ Mariana Mazzucato
・ Mariana Mihajlović
・ Mariana Mohammad
・ Mariana Molina
・ Mariana Montes
・ Mariana Mortágua
・ Mariana Navarro de Guevarra Romero
Mariana Nicolesco
・ Mariana Ochoa
・ Mariana of Austria
・ Mariana of the Purification
・ Mariana Ohata
・ Mariana Pajón
・ Mariana Peñalva
・ Mariana Pfaelzer
・ Mariana Pimentel
・ Mariana Pineda
・ Mariana Plate
・ Mariana Popova
・ Mariana Pérez Roldán
・ Mariana Rață
・ Mariana Renata


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Mariana Nicolesco : ウィキペディア英語版
Mariana Nicolesco
Mariana Nicolesco ((:mariˈana nikoˈlesko), last name also Nicolescu ; born on November 28, 1948) is a Romanian operatic soprano.
==Career==
Born in Găujani, Giurgiu County, she studied violin at the Music High School in Brașov and voice at the Music Conservatory in Cluj-Napoca, before winning a scholarship at the Conservatorio di Santa Cecilia in Rome to be taught canto by Jolanda Magnoni; she also worked with Rodolfo Celletti and Elisabeth Schwarzkopf.〔(Oxford Music on line )〕 Upon graduation, in 1972, having won the ''Voci Rossiniane'' Competition in Milan, American conductor Thomas Schippers invited her to Cincinnati as Mimì in Puccini's ''La Bohème'' and later she was invited by Luchino Visconti to appear in ''Don Carlos'' at the Teatro dell'Opera di Roma.〔 Magdalena Popa Buluc, ("Mariana Nicolesco: 'Trăiesc într-un perpetuu foc de artificii'" ("Mariana Nicolesco: 'I Live in a Continuous Fireworks Display'") ), ''Cotidianul'', 25 July 2010; accessed March 17, 2012〕 She made her debut at the Metropolitan Opera in New York, in 1978, as Violetta in Verdi's ''La traviata'', a role she has reprised over 200 times, later singing Gilda in Verdi's ''Rigoletto'' (1978) and Nedda in Leoncavallo's ''I Pagliacci'' (1978-1986).〔(New York Metropolitan Opera Archives on line )〕 She sang in the worlds major opera houses such as Teatro alla Scala in Milan, where she had her debut in the world première of Luciano Berio's ''La Vera Storia'' (1982) and later appeared in: ''The Stone Guest'' (Donna Anna) by Dargomyzhsky (1983), ''Lucio Silla'' (Cinna) by Mozart (1984), ''Polish Requiem'' by Penderecki (1985), ''L'Orfeo'' (Euridice) by Luigi Rossi (1985), ''Un re in ascolto'' (La Protagonista) by Berio (1986), ''Don Giovanni'' (Donna Elvira) by Mozart (1987, 1988, and 1993), ''Fetonte'' (Queen Climene) by Jommelli (1988), ''Alcyone'' and ''Alyssa'' by Ravel (1990) and three Recitals (1988, 1993).〔(Teatro alla Scala Archivio on line )〕 Mariana Nicolesco interpreted a wide repertory from baroque, belcanto to verismo and contemporary music and has been described as "an arresting personality with a vibrant voice";〔 highlights of her repertory are the roles of Marzelline in ''Fidelio'' by Beethoven, Elettra in ''Idomeneo'', Vitellia in ''La clemenza di Tito'' by Mozart, ''Beatrice di Tenda'' by Bellini, ''Anna Bolena'', ''Maria Stuarda'', Queen Elisabeth I in ''Roberto Devereux'', ''Maria di Rohan'' by Donizetti, Amelia in ''Simon Boccanegra'', Desdemona in ''Otello'', Leonora in ''Il trovatore'', Luisa in ''Luisa Miller'' by Verdi, Marguérite in ''Faust'' by Gounod, Tatyana in ''Evghenij Oneghin'' by Tchaikovsky, Liù in ''Turandot'' by Puccini, Zarina Marina in ''Dimitry'' by Dvořák.〔 Corina Stoica, (“Mariana Nicolesco: Sunt prea spontană, prea directă ca să spun minciuni” (Mariana Nicolesco: I am too spontaneous, too direct, therefore incapable to lie) ), "Revista Tango", September 15, 2010〕 She appeared in productions signed by Giorgio Strehler, Patrice Chéreau, Luca Ronconi, Jean-Pierre Ponnelle, Franco Zeffirelli, Pier Luigi Pizzi, Jonathan Miller and conducted by Carlo Maria Giulini, Wolfgang Sawallisch, Riccardo Muti, Seiji Ozawa, Lorin Maazel, Peter Maag, Georges Prêtre, Giuseppe Patané, Alberto Zedda, Colin Davis, Ghennadij Rozhdestvensky; also in prestigious Concerts Halls such as Carnegie Hall in New York, Royal Festival Hall in London, Accademia di Santa Cecilia in Rome, Concertgebouw in Amsterdam, Musikverein in Vienna, Salle Pleyel in Paris, the Great Conservatory Hall in Moscow and the Salzburg Festival, Rossini Opera Festival in Pesaro, Maggio Musicale Fiorentino, Martina Franca Festival, Casals Festival in Puerto Rico.〔 Cezarina Adamescu „O mie de voci într-o singură voce: Mariana Nicolesco omagiu primei doamne a lirice româneşti" (A thousand voices in one: Mariana Nicolesco homage to a First Lady of Opera) () „Confluenţe româneşti", October 26, 2011〕 Invited by Pope John Paul II, she sang Romanian Carols in the First Christmas Concert in the Vatican (1993)〔(„Colinde cu Mariana Nicolesco la Vatican“ (Carols with Mariana Nicolesco at the Vatican) ), "Evenimentul zilei", December 24, 2011〕 and the soprano part in the world première of Krzysztof Penderecki's Symphony No. 7 (''Seven Gates of Jerusalem'') was composed for her (1997).〔Mădălina Grosu, ("Mariana Nicolesco, soprana de aur a României" ("Mariana Nicolesco, Romania's Golden Soprano" ), ''Adevărul'', 27 July 2010; accessed March 17, 2012〕
She returned to Romania in 1991, after the fall of the Communist regime, singing for the first time on a stage in her native country, in a Concert at the Romanian Atheneum in Bucharest. As some 10,000 tickets were purchased, Nicolesco gave three consecutive performances. She created the Romanian Atheneum International Foundation and donated in 1994 a Steinway grand concert piano.〔 Rodica Nicolae (“Mariana Nicolesco: talent şi dăruire de excepţie pe altarul artei (Mariana Nicolesco: an exceptional talent and devotion on the altar of art) ), "Cariere", May 20, 2004〕 In 1995, Mariana Nicolesco initiated the Hariclea Darclée International Voice Competition and Festival. In the years between an edition of the Contest and the next, she offers Master Classes to the young artists.〔 Costin Popa (“Festivalul şi Concursul de Canto Darclée – Nicolesco, o sărbătoare!” (Festival and Voice Contest Darclée – Nicolesco, a feast!) ) "Cultura", August 26, 2010〕〔 („Omul zilei: Mariana Nicolesco” (Woman of the day: Mariana Nicolesco) ), "Jurnalul Naţional", August 1, 2011〕〔 (“Regina Mariana Nicolesco, încoronată” (Queen Mariana Nicolesco crowned ), “Evenimentul zilei”, August 21, 2012〕〔(“O coroana pentru trei Regine: Hariclea Darclee, Maria Callas, Mariana Nicolesco” (A crown for three Queens: Hariclea Darclee, Maria Callas, Mariana Nicolesco) ), “Revista VIP”, August 27, 2012〕 She obtained for the Darclée events the High UNESCO Patronage.〔 („Mariana Nicolesco a obţinut înaltul patronaj al UNESCO pentru evenimentele Darclée din România” (Mariana Nicolesco obtained for the Darclée events in Romania the High UNESCO Patronage) ) Mediafax, July 9, 2014〕 In 2003, she created the Romanian National Festival and Song Competition and presented for the International George Enescu Year, proclaimed by UNESCO (2005), in world première the composer's complete songs in Japan, at Aichi World Exhibition as well as in Nagoya and Tokyo, in Prague, Paris, Rome and New York.〔 Simona Suciu (“Festival marca Mariana Nicolesco, la Braşov” (A Festival label Mariana Nicolesco in Brasov) ) "Adevărul", October 26, 2011〕 In 2014 she is a Member of the Jury of China International Vocal Competition with 430 competitors from 41 countries.〔 („Mariana Nicolesco, întâmpinată ca un star în China” (Mariana Nicolesco, received like a Star in China) ) Evenimentul zilei, November 28, 2014〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Mariana Nicolesco」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.